Posts

'EASTERN YELLOW ROBIN'

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 A pastel of a Eastern Yellow Robin.  Slightly odd angle for photograph, however it is already framed and was hard to take the shot with the glass and not get a reflection.  Painting taken from photographic image kindly supplied by Lesley Kiker from Victoia.  Lesley does wonderful bird photos.  This was my first ever bird pastel, done a few months back. I like my birds to be a painting not done like a photographic copy so soft pastels are perfect  for painterly effects.

"SUPERB FAIRY WREN"

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 Pastel of this beautiful small bird that lives in the Australian bush.  From a photograph with the kind permission of Darryl Kirby.  These are the sweetest birds and when I lived in the mountains we had a family who lived in our garden, a small brood of females with one male.  The females are often referred to as Jenny Wrens.  I always love to paint them and imagine myself back in my old garden while I do.  image unframed is 10 x 10 inches.  All my works are available for sale. 

'BLUE WREN ' - pastel

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  A small male Blue Wren in pastels I gifted to my stepson's partner, Katie.  10 x 10 inches.  Image kindly supplied by Lesley Kiker from Victoria.  Lesley is a wonderful bird photographer and I am honoured she let me use her image to create this painting from it , her photos are superb. 

PAINTING BIRDS - "KINGFISHER"

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 I belong to a bird photo site on facebook and some time back asked if people would give me permission to paint from their photos.  I had lots of lovely photos offered to me and I am most grateful for that.  With covid around my going out and gathering material is severely limited as I have kidney disease.  I love pastelling and having developed a severe reaction to paint am going to be working in birds for some time to come.  This is a small Kingfisher I created in pastels from a photo by Manda Lee with thanks to her for her kindly allowing me to use her image for my painting.  10 x 10 inches. 

TIME CIRCLES

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 Rust or Iron has always been a part of my life since my early days as a potter.  I no longer glaze pots and commit them to the fire for the iron oxides to coat them with colour.  Time passing has always been a theme of my work since the nineties and it still speaks to me but in cloth now.  We use and create with iron for its strength, dig it up raw from the earth and cast it into all manner of things.  Gradually as time goes on the iron breaks down and rusts and returns to the earth from where it came.  On cloth it leaves beautiful markings with additions of vinegar and salt.  The serendipity of this is the same as a kiln opening, you do not know really what you finally get till all is revealed.  Different weights of cloths give different markings, temperature and time of the year have an effect as well.  Nature has its say on the final imprints on your piece.  I created this quilt with circles of rust, time and nature moves in cycles and circles.  I used onion skins for the lower ha

BORDER RANGES

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The border ranges and Lamington National Park are never far from my heart, having lived there over twenty years.  Huge mountain ranges stretching as far as the eye can see, rainforests lush with life and greenery, skies that go on forever.  When I die that is where I want my ashes to go, down where the wild eagles fly and the thunderstorms gather on hot afternoons to march their way north.  It is something I do think about as my life is shortening now, I have been given my exit date approximately and life is about looking back and reliving in one's mind as one looks at going.  I have been painting lately, loving it.  This is a 24 x 24 inch canvas titled of course, "Border Ranges" and am doing a whole series on them, seeing myself back there as I do, loving the memories and the journey. 

BAY PAINTING

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Memory from my life on Lamb Island, the bay was an integral part of our life and had many moods.  Acrylic on Canvas.